The London Cab Tape
(M.O.I.)
[London
Probably November 29, 1970]
Howard: This fucking guy is flipped out, man! I'll be locked up!
?: Who, me . . . ?
Yeah, you too!
?: It was ant...
(M.O.I.)
[London
Probably November 29, 1970]
Howard: This fucking guy is flipped out, man! I'll be locked up!
?: Who, me . . . ?
Yeah, you too!
?: It was ant...
[Fillmore East, NYC
June 5-6, 1971]
Concentration Moon
(Over the camp in the valley)
Over the camp in the valley
(Concentration Moon)
(OH WHAT A)
Conce...
(Underwood, Volman, Kaylan)
[Fillmore East, NYC
June 5-6, 1971]
FZ: The Sanzini Brothers!
Howard: The Sanzini Brothers!
Howard: Ladies and gentlemen, tonigh...
[Fillmore East, NYC
June 5-6, 1971]
FZ: Carl Sanzini will now join in on the second verse of "Concentration Moon"!
Howard: Why don't you?
Concentration Moon
...
Howard: Ready, Madge?
FZ: You have to feel like . . . Art Laboe
Howard: Grow, little trees!
FZ: It's spring, the time of the year when all things grow and little buds are spro...
?: Smurf mee!
?: Smurf meee!
?: Metz
Jeff: Right Howard?
Howard: Right Jeff, we're going for the money, all the way...
Jeff: This is what I joined for. This I don't think is pretty good.
FZ: In other words, you don't wanna be in the movie
Jeff: Yeah
FZ: You're sure?
Jeff: Mm-mh
FZ: Is the...
FZ: From the point that Jeff Simmons quit the group we had a bunch of adventures trying to find somebody to replace him. Non only for the bass parts in the music, but to play the role that he was supp...
Howard: Well, the character I play is a great guy, you see, right away that gives me a start. Uh, on the other hand, half of it's reality and half of it isn't, you know? Where the line is, it's someti...
Mark: Ever since you left the jazz world to seek fame and fortune in the rock'n'roll industry
Martin: Rock'n'roll! What d'ya mean rock'n'roll? This fucking band doesn't even play rock'n'roll, it...
Howard: From 200 Motels he expects the worst reviews of any movie ever put out, and I said, "Yeah, Frank? Why is that?" And he says, "Well, nobody's ready for it . . . " But it doesn't really matter, ...
Mark: Well uh . . . I play a v-, a version of myself a-, as Frank sees me, you know, like, you know what I mean?
Interviewer: No
Mark: It's not, uh, he sees the group from . . . like we se...
Martin: What do you do? You join the Mothers and you end up working for Zappa! And he makes you be a creep! You could have played the blues with John Mayall, or far-out exciting jazz with Blood, Sweat...
Poo-lah
Poo-la-ah poo-lah
Poo-da poo-lah poo-lah poo-oo-lah
Wee-ooo-wee-ooo-eee-eee-ooo-ooo
Ah-ah-ah ah-aaah-ah-aaah
Aa-aa-ah aa-ah
Wee-ooo-wee-ooo
Aa-aa-aa-a...
FZ: The rejected Mexican pope leaves the stage.
Ensemble:
TWO, THREE, FOUR, ONE
ONE, TWO, THREE, FOUR, ONE
TWO, THREE, FOUR, ONE
ONE, TWO, THREE, FOUR, ONE
T...
FZ: Meanwhile, the snack enters the mind of Dom DeWild.
Ensemble:
ONE, TWO, THREE, FOUR, ONE
ONE, TWO, THREE, FOUR, ONE
TWO, THREE, FOUR, ONE
ONE, TWO, THREE, FOUR...
Sell us a president, agency man
Smiling Big Brother, stern father perhaps
Sell us a president, agency man
A gay smiling nothing we know never craps
Let's try California,...
[includes a quote from King Kong]
FZ: I've been informed that when the guy comes out that beats the gong we have to stop playing, because the subways around here shut down early. We'd lik...
FZ: Thank you. Thank you. Thank you, thank you, thank you and thank you. I understand there is a sign in the audience that once again says: "What's the secret word for tonight?" The secret word for to...
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