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Illegibility of this world. Al...

Illegibility of this world. All things twice over. The strong clocks justify the splitting hour, hoarsely. You , clamped into your deepest part, climb out of yourself for ever.

41 quotes

We are told that when Hölderl...

We are told that when Hölderlin went 'mad,' he constantly repeated, 'Nothing is happening to me, nothing is happening to me.'

41 quotes

A poem, being an instance of l...

A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to the sea with the-surely not always strong-hope that it may somehow wash up somewhere, perhaps on the shoreline of the heart. In this way, too, poems are en route: they are headed towards. Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality. Such realities are, I think, at stake in a poem.

41 quotes

With wine and being lost, with...

With wine and being lost, with less and less of both: I rode through the snow, do you read me I rode God far--I rode God near, he sang, it was our last ride over the hurdled humans. They cowered when they heard us overhead, they wrote, they lied our neighing into one of their image-ridden languages.

41 quotes

rush of pine scent (once upon ...

rush of pine scent (once upon a time), the unlicensed conviction there ought to be another way of saying this.

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Don't sign your name between w...

Don't sign your name between worlds, surmount the manifold of meanings, trust the tearstain, learn to live.

41 quotes

Only one thing remained reacha...

Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss.

41 quotes

The poem is lonely. It is lone...

The poem is lonely. It is lonely and en route. Its author stays with it. Does this very fact not place the poem already here, at its inception, in the encounter, in the mystery of encounter?

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German poetry is going in a ve...

German poetry is going in a very different direction from French poetry.... Its language has become more sober, more factual. It distrusts "beauty." It tries to be truthful.

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Poetry is perhaps this: an Ate...

Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here

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Как бы ни была важна работа съёмочной группы и качество актёрской игры, есть то, что порой привлекает зрителей гораздо сильнее. И это, безусловно, самые сексуальные актрисы, за которых режиссёры готов...