I feel there are so many things in this world that have been and are being created that I could spend the rest of my life thinking about, and I couldn't cover all the things I'm interested in. That to me is what makes life sweet-learning and exploring.
I loved the book [The Adderall Diaries] I optioned it, I think some years ago. But there's a lot of different threads in the book. It starts off as one thing, where he's trying to cover this murder trial, and then his own life starts to impinge on that, so it becomes something else. I found that fascinating.
I put out a lot of different kinds of material, and maybe people read that as egotistical. Or maybe, since a lot of it does involve some aspect of me, they find it self-aggrandizing. But there’s a long tradition of artists using themselves. Look, I know I’m not perfect. And, who knows, maybe a part of it has to do with self-obsession. But it’s also about using this weird thing that is a public persona as raw material for creative projects.
When I was younger, I thought, 'Ok, I'm supposed to do this project because it'll help my career,' but that didn't work because I ended up doing movies that I worked really hard on but I didn't really like and they didn't turn out well, so it was like I lost double. Once I just started working with people and projects I believed in, everything changed and I suddenly had a career that I loved and that I was proud of.
I wouldn't want to live life in an untroubled garden, blissful and ignorant. I would want to get out into the world, and be a part of something. In a way I was born into the Garden of Eden, or as close as you can get in our world; I was born white, male, and in Palo Alto. I had it pretty kush.
When I was younger, I didn’t know that I should just listen to my own voice, my own artistic sense of things when I was choosing projects, because one of the biggest creative decisions that an actor can make in the film business is what you will work on.
I get to work with incredibly talented young filmmakers and students, and their attitudes and relationship with film is still so pure. That re-inspires me and reminds me why I got into it and what I love about film, and allows me a little reprieve from the business side of it. And it rekindles my love of film.
Anyone has outside influences. They are the results of the cosmic roll of the dice: this person is born Aragon the Ranger, this person is born a prisoner in North Korea, this person is born Carlos the Dwarf. Some of these things are out of our control, but that doesn't mean that they can't be changed. A character, just like a person in real life, is a summation of her actions and feelings. Our actions and emotions are not performed against nothing, they do not arise from dust, we are in constant friction, and/or flow with our surroundings.
Villains can often be one note and I would say in that case, it’s not fun to play the villain. It’s fun to play the villain if he a) has dimension and b) the villain gets to do all the things in the movie that in life he would get punished for. In the movie, you’re applauded for them if you do them with panache. And so that’s why it’s more fun to play the villain.
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