Love cannot in its very nature be peaceful or content. It is a restlessness, an unsatisfaction. I can grant a lasting love just as I can grant a lasting unsatisfaction; but the lasting love cannot be coupled with possession, for love is pain and desire and possession is easement and fulfilment.
The marriage tie becomes possessed of a history and takes to itself traditions. This history and these traditions form a great fund, to which changing conditions and growing imagination constantly add. And the traditions, more especially, bear heavily upon the individual, overmastering his natural expression of the love instinct and forcing him to an artificial expression of that love instinct. He loves, not as his savage forbears loved, but as his group loves.
The great task demanded of man is reproduction. He is urged by passion to perform this task. Passion, working through the imagination, produces love. Passion is the impelling factor, imagination the disturbing factor; and the disturbance of passion by imagination produces love.
I am a hopeless materialist. I see the soul as nothing else than the sim of activities of the organism plus personal habits - plus inherited habits, memories, experiences, of the organism. I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed.
[Speaking to a group of wealthy New Yorkers] A million years ago, the cave man, without tools, with small brain, and with nothing but the strength of his body, managed to feed his wife and children, so that through him the race survived. You on the other hand, armed with all the modern means of production, multiplying the productive capacity of the cave man a million times Ђ' you are incompetents and muddlers, you are unable to secure to millions even the paltry amount of bread that would sustain their physical life.
Man is man because he chanced to develop intelligence instead of instinct; otherwise he would to this day have remained among the anthropoid apes. He has turned away from nature, become unnatural, as it were, disliked the earth upon which he found himself, and changed the face of it somewhat to his liking.
He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars.
Советских актёров часто ставят в пример как образец духовной силы, национальной гордости и внутренней красоты. Они стали символами эпохи, носителями культуры и нравственности. Но, как известно, за кул...
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