My books do have a sort of ro...
My books do have a sort of romantic community at the end - people coming together. But on a more basic level, I always see them as being about power, in the same way that Harry Potter books are pitched to a population of young people who really have no power.
I'm always looking for contex...
I'm always looking for context in which people tell stories. In "Fight Club" it's these support groups for dying people, and then in "Choke" it's 12-step recovery groups. In one novel it's artists' colonies, in another novel it's a diary form that submariners' wives typically keep so that when their husband comes back from serving on a submarine they have an accounting of their spouse's time. So I'm always looking for, number one, a non-fiction context - because you can tell a more outrageous story if you use a non-fiction form.
Public taste changes and the ...
Public taste changes and the aesthetic of a culture changes over time, so the idea isn't to appeal to the aesthetic of the moment and what people will like right now; the idea is to somehow keep yourself in the public memory so that as taste evolves it will eventually come to embrace your thing. So, it's about writing to be remembered rather than writing to be liked.
As a child of the 1970s, I co...
As a child of the 1970s, I couldn't hold a narrative in my head; I was lucky if I could hold a joke in my head, because every time you turn on television or radio, it wipes the slate clean - at least in my case. After I gave up television, I found I could carry longer and longer stories or ideas in my head and put them together until I was carrying an entire short story. That's pretty much when I started writing.
Every character sees the worl...
Every character sees the world through a framework of education and experience that they're proud experts about. To write a character, find out what they know best, and THEN you'll know how they'll describe a "hot day." Or a "pretty girl."
More and more we are taught s...
More and more we are taught something throughout our growing up, our education, and continuously, no matter how much we believe in this thing, something comes up that forces us to revise our entire belief system. No matter whom you idolize, it turns out that Louis Armstrong collected vast amounts of pornography.
I learned all those jokes in ...
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
It's interesting because when...
It's interesting because when David Fincher was making "Fight Club," he said, "It's a romance." And it really is. Almost everything I ever write is just a romance. And that needed to be sort of pointed up at the end of "Fight Club." The film has a very different ending than the book does.
Everybody's still miserable i...
Everybody's still miserable in the same way they've always been miserable, and more and more of my friends - especially my male friends - find themselves taking anti-anxiety, psychotropic drugs. It seems like everybody I know is wondering if they're really who they are, or once the prescription runs out, will they become someone different?
There is a social contract in...
There is a social contract in "Fight Club" and in "Choke" where the protagonist has deceived a whole bunch of people. In "Choke" it's all of these people who think that they've saved his life, and really care about him because they've embraced him and they've been his saviors. In "Fight Club" it's all of these people who are dying of various diseases, and they thought that Edward Norton was also dying so they allowed him really strong pent-up emotions.
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