Woody Allen quotes
She had been critical of his new torch song, "A Side Order of Heartache, Please," suggesting it could be used as a good way to break in their new paper shredder.
She had been critical of his new torch song, "A Side Order of Heartache, Please," suggesting it could be used as a good way to break in their new paper shredder.
In fact, when they wake up in the morning, they're Jack Nicholson or Robert De Niro or Josh Brolin. And it's built-in, but they think it's all this other stuff. But it's not. They'd be great if they didn't think about their part or if they did think about it.
End production today. Wrap party as usual a little sad. Slow danced with Scarlett. Broke her toe. Not my fault. When she dipped me back, I stepped on it. Pen?lope [Cruz] and Javier [Bardem] anxious to work with me again. Said if I ever come up with another screenplay to try and find them. Goodbye drink with Rebecca [Hall]. Sentimental moment. Everyone in cast and crew chipped in and bought me a ballpoint pen.
There is an advantage in having a routine and working with the same people when you can and in writing as a regular thing and filming as a regular thing. That routine pays off for you. You get a lot of productivity that way, rather than sitting around waiting for inspiration and waiting for the perfect thing to happen. I would be much less productive that way.
What I do know about physics is that to a man standing on the shore, time passes quicker than to a man on a boat - especially if the man on the boat is with his wife.
Someday the lion is going to lie down with the lamb, but the lamb isn't going to get much sleep.
When you write the script, you're home in a room by yourself, and you're writing, and there's no connection with the real performing world. So you get a lot of things wrong and make a lot of mistakes and make a lot of bad choices.
In life, one is entitled to a side dish of either coleslaw or potato salad, and the choice must be made in terror, with the knowledge that not only is our time on earth limited but most kitchens close at ten.
I see no advantages in aging whatsoever. You become shriveled. You become decrepit. You lose your faculties. Your peer group passes away. You sit in a room gumming your porridge. I don't see any advantage in this whatsoever.
[Stanley] Kubrick was a great artist and a perfectionist. He always wanted the exact right thing. He did a million takes. Everything had to be perfect. I'm an imperfectionist. I don't really care that much about the work. I write quickly. I'm careless. I shoot carelessly.
If I just got up in the morning and had no place to go and was retired or something, I would be sitting there and be thinking, "Gee, what is the purpose of life? Why are we all finite? Why do we get old and die? Is there nothing out there? Why is it so tragic? Why do our loved ones perish? Why do we generate?" Who wants to think about that stuff?
This is my perspective and has always been my perspective on life: I have a very grim, pessimistic view of it. I always have, since I was a little boy. It hasn't gotten worse with age or anything. I do feel that it's a grim, painful, nightmarish, meaningless experience, and that the only way that you can be happy is if you tell yourself some lies and deceive yourself.
To me there’s no real difference between a fortune teller or a fortune cookie and any of the organized religions. They’re all equally valid or invalid, really. And equally helpful.
I'm a comedian. I make comic films and there are certain ideas that occur to me that are comic, with heavy, serious undertones. There are some ideas that are more frivolous to me. The next idea that could occur to me could be comedy about death and famine or something.
When a man is driving in a car and looks out the window and notices a woman with a great body, as he strains to check her face out, how does she know to keep turning so the back of her head is always toward him?
If I could change the structure of existence I would do it. I could see a better way to live for everybody.
Fantasy is seductive and much more wonderful than reality, but you can't take it to the bank. It's always an escape. And if used as an escape, as in attending a movie or a show for a circumscribed period of time, it's fine. When it starts to become undifferentiated from reality, it leads to big trouble.
I would not like to live in the past because you don't get anesthetic when you go to the dentist. You don't get antibiotics. You don't get the things that you are used to now, cell phones and televisions and things that are very convenient. You don't want that. But, it would be fun if you could, every now and then, just meet a friend for lunch at Maxim's in Paris in 1900, or go back to 1870 just for a couple of hours, take a walk in the park, and then come right back to Broadway.
I prefer the magic to reality, and have since I was 5 years old. Hopefully, I can continue to make films and constantly escape into them.
There have been times when I've thought about it - but with my luck it would probably turn out to be only a temporary solution.