I went to a school in Miami that seemed like a private country club. The whole cheerleader, football player, clique-y thing there was terrifying. Those people were so scary. They're the scariest kinds of people because they are idolized by their peers. They have everything, they have money, and they're just mean-spirited. It's crazy.
When I read the script [of Good Kill], it read like a science fiction film. And Andrew [writer/director Andrew Niccol] is known for sci-fi. But when I spoke to him, he said this picture was 100% factual, which blew my mind. I realized then how little I knew about the drone program. And I felt that, if I knew so little about it, there must be others who should be educated about what's going on.
Television's getting better because people are investing more money and time and respect into it. But the secret weapon of television is that, because it's a slow burn, you get to meditate on things and develop them. As opposed to film, where you have an allotted amount of time and hopefully you can wrap it up in there.
So, first, I wanted to be a part of the project because I thought it was an important story to tell. On top of that, it's rare to find roles for strong, young, feisty women, especially in a military film. And I love that Suarez ends up being the moral compass of the story, and that she's also brave enough to stand up to all these men.
Black women have kinky hair, and we think we have limitations on what we can do. It's interesting that people think, 'Oh this is the only thing they can do.' But if you have blonde, straight hair and don't change it for 20 years - nobody thinks about it. Nobody says anything!
I was pretty lucky, I went to a really great school. I went to a Steiner School, which is very small and nurturing and creative, so I felt like I was in an environment where I could mature. There was less of the clique-y stuff, which can really make high school a living hell for a lot of people, going on, so I was very similar then to who I am now. I'm still a dork.
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