For me, fantasy has always been a means of exploring reality: it explores the fact that your internal life, your dreams and the weird images and the things that come to you are things that are actually important tools for dealing with real issues.
I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.
Even if you're doing something that the studio sends you, or something that's based on a book or story, at the end of it all, you try to make whatever it is your own. This is based on my love of horror movies. Everything is based on something, in some way.
Mr. Smith yelled at the doctor, What have you done to my boy? He's not flesh and blood, he's aluminum alloy!" The doctor said gently, What I'm going to say will sound pretty wild. But you're not the father of this strange looking child. You see, there still is some question about the child's gender, but we think that its father is a microwave blender.
No matter what you go through with the business side or the Hollywood side at the end of it all, when you are there on the set, it is your thing. So it is your own private world and that's great. That's where you have that bubble to create something in.
The great thing about visual horror films is there's real potential for strong, beautiful imagery. It's the one genre that really lends itself to creating strong images. And I've always loved that idea of windmills - your mind aimlessly spinning.
Stain Boy Of all the super heroes, the strangest one by far, doesn't have a special power, or drive a fancy car. next to Superman and batman, I guess he must seem tame. But to me he is quite special, and Stain Boy is his name. He can't fly around tall buildings, or outrun a speeding train, the only talent he seems to have is to leave a nasty stain. Sometimes I know it bothers him, that he can't run or swim or fly, and because of this one ability, his dry cleaning bill is sky-high.
Nobody had his [Ed Wood's] style. That's something I try to do in my films. You have your own kind of cryptic messages in there - cryptic things that most people wouldn't understand but are important to you. Things that kind of keep you going through the process.
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