It's incredibly important tha...
It's incredibly important that if you have the dream of having your own house, you don't pretend to be something you're not. Ultimately, it's unsustainable and people will see through. You have to work; you can't expect your dreams to be handed to you on a plate.
The main challenge is technol...
The main challenge is technology and that's something I really push and work closely with Adidas on. They're real leaders in sports performance; always trying to push that further and further and get the best technology they can. That takes time and has rigorous testing, it's very laborious, but it's also very rewarding. You get to work with fantastic athletes, and that's a fantastic thing that has nothing to do with my day job in ready-to-wear.
The really great thing about ...
The really great thing about my shop is that there's not one dead animal in it. ... Manolo's got a load of fabric shoes as well! We use plastic, fabric, rubber- anything but leather. I almost feel like I've been put here to show everyone that it's unnecessary.
I think it took me a little w...
I think it took me a little while to be true to myself as a designer, and in some ways I'm still trying to do that. I have to choose things that come naturally to me. Whenever I challenge something too much or try too hard, it never quite works out.
I was first drawn to active w...
I was first drawn to active wear because I enjoy working out, and it's very important in this day in age. I really felt women were getting the tail end of the design in active wear; not getting the technology or design we deserved. It was reserved for men. We were getting the leftover work from the sports design houses.
I've got my organic veg patch...
I've got my organic veg patch and fruit; we're very garden-obsessed, my husband and I. He designed a garden for me for Christmas, so beautiful! Alasdhair's very good at the proportion and ground work, and I come in and do the planting and the color scheme.
To work on the competition we...
To work on the competition wear for the Olympics is kind of insane. As a fashion designer, you don't think to yourself, 'I'm going to get the opportunity to work with athletes at that level at the Olympic Games.' It really is such an incredible thing to have any kind of contact with as a designer.
I am very aware of my family ...
I am very aware of my family name. I'm very aware of the legacy that that kind of carries with it. And I think that I didn't want to lose any kind of hold of that. And I think once you're born into something that you're proud of and that you're aware of, you don't take it lightly.
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