I don't have big anxieties. I ...
I don't have big anxieties. I wish I did. I'd be much more interesting.
I think that most people think...
I think that most people think painters are kind of ridiculous, you know?
I suppose I would still prefer...
I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
I don't think of form as a kin...
I don't think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
My work isn't about form. It's...
My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
I'd always wanted to know the ...
I'd always wanted to know the difference between a mark that was art and one that wasn't.
Color is crucial in painting, ...
Color is crucial in painting, but it is very hard to talk about. There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you're trying to make.
When I met Steve Kaufman, I th...
When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
I'm never drawing the object i...
I'm never drawing the object itself; I'm only drawing a depiction of the object - a kind of crystallized symbol of it.
My use of evenly repeated dots...
My use of evenly repeated dots and diagonal lines and uninflected color areas suggest that my work is right where it is, right on the canvas, definitely not a window into the world.
Pop Art looks out into the wor...
Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
I dont have big anxieties. I w...
I dont have big anxieties. I wish I did. Id be much more interesting.
Im not really sure what social...
Im not really sure what social message my art carries, if any. And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
Im interested in what would no...
Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
The things that I have apparen...
The things that I have apparently parodied I actually admire,
The big tradition, I think, is...
The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true. As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist's vision.
Pop Art is industrial painting...
Pop Art is industrial painting. I think the meaning of my work is that it is industrial, it's what all the world will soon become. Europe will be the same way, soon, it won't be American; it will be universal.
Everybody knows that abstract ...
Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.
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