I don't have any authority to...
I don't have any authority to talk about the domestic policies of America. But as an outsider, I am mystified by the fact that you are encouraged to buy a gun, but if you use it for the purpose that it is expressly designed for, you get the death penalty. That aspect of America is kind of mystifying.
Not my biggest fear, but my b...
Not my biggest fear, but my biggest problem onstage is over-emphasizing what I do. I'm pushing too hard. You need to engage an audience. They need to be able to involve their own imaginations as well. They don't need everything thrust down their throat, and I have a tendency to do that. I always have had a tendency to do that.
I've never intended to make re...
I've never intended to make religious records or records that preach some kind of point of view... If you're involved with imagination and the creative process, it's not such a difficult thing to believe in a god. But I'm not involved in any religions.
What I think about when I freq...
What I think about when I frequent the Museum of Natural History, the Metropolitan [Museum of Art], and I look at these artifacts that are taken out of context and how we're forced to view them as objects, as relics, as sculpture- static. But what's interesting is what it allows me to do in my head in terms of imagining what the possibilities are or imagining the role in which they played within a particular culture which I'm fascinated by.
When I start to write a song, ...
When I start to write a song, I initially fall into patterns and creative habits that are familiar, and because they're familiar, they sound convincing. It's important for me to not pursue those ideas, because I've already done them, but to find ideas that are different and feel strange to write and disconcerting to write.
I feel like I've spent the la...
I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.
The way people reacted to me i...
The way people reacted to me in dressing rooms and so on was incredibly aggressive. They know every record and they seem to think they should nudge me or bump into me as they go past. It was this incredible performance that used to amuse me. In the early days, people were drawn towards us like they'd be drawn towards a car smash...There is a definite relationship between that fanaticism and the fan that, as a performer, you expose more of yourself, of the undercurrents of your personality. Most rock personalities subdue that or choose not to explore it.
The editing of a song is large...
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
It was about the preciousness ...
It was about the preciousness of that, and how they viewed those birds as art, as something valuable. I didn't care one way or another back then, but now, thinking about my grandparents - who are still alive but getting older - I see the birds as sort of time capsules. Now I go home during the holidays and they hold a lot of weight in terms of nostalgia and memory. Now they mean everything.
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