Hollywood used to be run by artists and people who loved artists... people who wanted to make movies for all the right reasons. For the love. The Art. To tell stories. Yes to make money as well, but it was about both. Now I feel, it's mostly about bottom line and making money.

I got into a bad jag of movies that helped pay the rent and I thought would help further me along.

Charlie Brown's good. I always had a little crush on that Lucy. I thought she was kind of a hot little brunette.

How much do you have to pay someone to be in a George Clooney/Alexander Payne film? Nothing! Because everyone in the world wants to be a part of it. Therefore you pay nothing. And that continues until you become something they need... I'm not that kind of actor. I'm blue collar and very replaceable.

Now, more then ever, we have the ability to make films for almost nothing and that's broken down all barriers of entry. I think it's a new golden age of film-making. With that, there needs to be the ability to recoup investment dollars, people need to make money.

Thing is, I'm a funny actor, but I'm not good at being funny. I'm going to ramble for a second: I'm an actor who can make things funny in the moment, like in stakes or in circumstances or out of character.

I direct with energy. I believe in energy. I think energy is an electric thing in actors. I try to inspire, encourage, and make choices with lots of energy. And truth. I'm big fan of truth and being funny. I like leading 50 people into battle every day.

I think one of the main reason's Rick Rosenthal and Whitewater PIctures decided to 'get in bed with me' on 'Fat Kid' was because I came in with a strong business plan as well as a creative vision on how to make the film.

Being onstage is like being rock star. Whereas if you're doing a movie, it's such a confined space. You know, you do a comedy, it's so hard, too, 'cause with a comedy, there's no vocal reaction, there's no energy that you get back that spurs you on to be funnier because everyone has to be quiet.

There are several times when I walked into a room and just felt like such a sham. That's the problem with auditioning.

When you go from movie to movie, it's like going from family to family. You work with people for really intense hours on really long days and a bond happens. So even when a movie is terrible, you love it.

I learned a lot, in terms of inspiring people. It became very clear to me, very early on, that directing a movie was a lot like being in a theater company.

The great thing about acting is the longer you do it, the more you realize that all those realities are inside you. No matter how crazy they are, you can pretend that they are a part of you. The great thing about this job is you get to play with every aspect of your id and who you are.

As a kid, as a young actor, I really wanted to pop. I wanted to create something different. I wanted to be Sean Penn, but I didn't have all the words to be Sean Penn. But I was trying to do something different in every role.

The more lines I have, in general, the worse a movie is. It's very rare that I get say great things in fantastic movies. So if you see me as like, number one on a call sheet? In general, that movie is pretty bad.

I don't go to parties. I don't go to clubs. My friends and I don't go drinking, we play D&D. I'm still a weird entity in the world.

Every character lives in ever actor and if you're doing your job right, you're just accessing that part of your fantasy life. I can kill someone just as quickly as I can have sex with someone. You can switch that instinct, no matter what - you can pretend anything.

Being an actor, when you sign onto a project - whether it's good, bad, or indifferent - you kind of fall in love with it. You fall in love with the experience, you fall in love with the memories.