In the early fight for women's rights, the point was not that women were morally superior or better. The conversation was about the difference between men and women - power, privilege, voting rights, etc. Unfortunately, it quickly moved to the "women are better" argument. If this were true in life or in fiction, we wouldn't have any dark or deep characters. We wouldn't have any Salomes, Carmens, Ophelias. We wouldn't have any jealousy or passion.
Canada, at the moment, is going through a Lord of the Rings moment. Having been a lowly Hobbit with furry feet and fun parties, with fireworks and beer, it has now been handed the Ring of Power: a large supply of fossil fuel, in the form of oil/tar sand and coal. Will it shrivel into an evil RingWraith? Will it become an addicted Golum? Will it refuse the Ring, like Galadriel, fearful of what So Much Power (in both senses of the word) will do to its inner being? Will it try to deal with the Ring responsibly, like Gandalf? Will it side with the Ents?
When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.
Just as if you do a mash-up of reality from the point of view of African Americans in this country, you're going to end up with something that will say, "This is Black Lives Matter." It's not that people necessarily have started out from that premise. But if you're looking at reality, that will be the result because that is reality.
It was very interesting to me that when Louisiana was destroyed in that flood the fundamentalists were very quick to say, it's the punishment of God on a sinful city. Now that the oil industry has been so hard hit in Galveston, are they up on their pulpits saying, God is punishing the oil industry? No, no, no!
My father was a forest entomologist, which means he was aware that spraying forests for spruce budworm was counterproductive in that it didn't really work, and it killed everything else in the forests, and it wasn't good for the people who were exposed to it, either. So he was an early proponent of not doing that, but, of course, nobody listened.
Women are human beings, and human beings are a very mixed lot. I've always been against the idea that women were Victorian angels, that they could do no wrong. I've always thought it was horseshit and does nobody any good. Remember, Lizzie Borden got off largely because the cultural agenda had convinced people that women were morally superior to men, so Lizzie Borden was "incapable" of taking the ax and giving her mother 40 whacks.
I enjoyed teaching. I liked the students. Having to formulate my ideas about literature made them clearer. I did not particularly enjoy the more bureaucratic aspects of the job. However, if you are teaching fervently, your energy and time are used up at a great rate.
Teaching other people to write is not something I can do. The only kind of advice I can give them will be trite by its nature. Of course, read a lot, write a lot. The kind of advice I wish I had been given is all of a practical nature, having to do with publishers and agents.
Plato said that poets should be excluded from the ideal republic because they are such liars. I am a poet, and I affirm that this is true. About no subject are poets tempted to lie so much as about their own lives; I know one of them who has floated at least five versions of his autobiography, none of them true. I of course - being also a novelist - am a much more truthful person than that. But since poets lie, how can you believe me?
One of the reasons [William] Shakespeare is so endlessly fascinating is that you can look at that figure from about 10 different angles: Caliban in Shakespeare's day was probably viewed as a sort of comic, barbarian type, but into the 19th century there were productions where Caliban was the hero. He's a potential rapist of a minor. Is that a good thing? No, it is not. On the other hand, Prospero's got him cooped up in a cave and tortures him if he doesn't do what Prospero wants. Is that a good thing? No. Shakespeare doesn't let you off easy.
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