In Chicago, you have an absence of strong family units, and that absence gets filled by gangs. You have a failure in the school system, after-school programs and other social programs to help keep kids off the streets. Amnesty International speaks to that in some way, by keeping these issues in the forefront.
It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.
My whole team, it wasn't about putting the album out, it was about getting off the record company and going independent or going to another label. To the point we were like, 'Listen, just take 'Lasers.' You can have whatever percentage off the next ten records I do for the rest of my life. I just do not want to be here anymore.'
Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time.
The murder rate in Chicago is skyrocketing, and you see who's doing it and perpetrating it - they all look like Chief Keef. When it comes to the point that, you know, that kids who are doing the killings, and they're kids 13 to 19 years old, and you can replicate that in New Orleans, you can replicate that in Oakland. All the kids look the same.
There is no line of demarcation between the amateurs and the pros; everyone is using the same tactics and playing in the same arenas. The only thing that separates them is radio, but the artist doesn't control who goes to radio and who doesn't.
We have to make the physical music a little more valuable instead of just having a download link and a bunch of songs you downloaded from some torrent site. People try to make the music value-less, and I don't think we're going to stop that train, but the one thing that they can't devalue are things that are in the outside world.
With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.
You know, my goal, once I leave the music business, is like, 'Man, Lupe didn't lead us astray.' It comes directly from Islam: leading people astray is the worst thing you could do. Especially in perpetuity; like, your music continues to go on and live without you. That risk is too great for me; I'm gonna keep it positive.
In my fight against terrorism, to me, the biggest terrorist is Obama in the United States of America. For me, I'm trying to fight the terrorism that's actually causing the other forms of terrorism. The root cause of the terrorism is the stuff that you as a government allow to happen and the foreign policies that we have in place in different countries that inspire people to become terrorists. And it's easy for us because it's really just some oil, which we can really get on our own.
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