Metallica lives in a little bubble. We just do our own thing. We're not part of any trends or waves or fads. We can just do our own thing, all the time. It's a great luxury. I don't think we were really appreciative of it until recently, and really understood that it is what keeps us alive. It's great to be able to have the freedom to run around and do all this crazy stuff, and at all cost, avoid making another record, just to piss our managers off.
I really like LIMP BIZKIT. I mean, I've said it for years - I don't know if anyone actually hears it - but I think LIMP BIZKIT are an awesome band. In terms of the rap-rock bands, or ANY bands out there, I think they really are truly among the best.
Doing things the way you see it, going by your own heart and soul, that is pure artistic integrity. Whether the hair is six or sixty inches long, the eyes have make-up or not, the riffs are in 'E' or 'F' sharp, the amps are Marshall or not, all those things don't matter if you are doing it for the right reason, which to me means doing it for yourself!!
Metallica's the only band i've ever been in. I'm not sure that when it ends in five, ten years, I'm going to put an ad in the paper saying, 'stupid drummer looking for stupid people to play music with,' Metallica is it and I think when that ceases, that's it.
Parenting changes your life, it changes how you hear yourself in relationship to others - which is part of the reason that a bunch of people in the rock community are sick of the goodwill and positive energy and love between these 45-year-old musicians who they preferred when they were 25 and taking stabs at each other.
I wouldn't say that we're proactively out there hunting down brands to try to fulfill some piece of a larger battle plan or something. If they have things they want to get to us, we're somewhat easily accessible through our managers and record companies.
Back then, I was really into composing the entire solo, beginning to end. I wanted to have it at least 80 to 90 percent complete before going into the studio. I didn't improvise in the studio. I was young, and I didn't really have the development in my playing or the ability to show up with nothing and then put down 500 ideas. I can do that now because I'm so much more of a musician now.
I think you have to sort of accept that nobody really knows where it`s going so there has to be a lot of impulsive kind of attitudes. So it`s like a train that`s moving and you don`t quite know where it`s going but you try to steer it in the best way you can realizing that it may go in different places that you had no idea.
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