We'd just shared the last bee...
We'd just shared the last beer and slung the empty can out the window at a stop sign and were just waiting back to get the feel of the day, swimming in that kind of tasty drowsiness that comes over you after a day of going hard at something you enjoy doing -- half sunburned and half drunk and keeping awake only because you wanted to savor the taste as long as you could.
She asked if we were calm eno...
She asked if we were calm enough for her to take off the cuffs, and McMurphy nodded. He had slumped over with his head hung and his elbows between his knees and looked completely exhausted--it hadn't occurred to me that it was just as hard for him to stand straight as it was for me.
But the more I read... after ...
But the more I read... after awhile... I begin to find they were all writing about the same thing, this same dull old here-today-gone-tomorrow scene... Shakespeare, Milton, Matthew Arnold, even Baudelaire, even this cat whoever he was that wrote Beowulf... the same scene for the same reasons and to the same end, whether it was Dante with his pit or Baudelaire with his pot... the same dull old scene...
I lay in bed the night before...
I lay in bed the night before the fishing trip and thought it over, about my being deaf, about the years of not letting on I heard what was said, and I wonder if I can ever act any other way again. But I remembered one thing: it wasn't me that started acting deaf; it was people that first started acting like I was too dumb to hear or see or say anything at all.
Mr. Bibbit, you might warn th...
Mr. Bibbit, you might warn this Mr. Harding that I'm so crazy I admit to voting for Eisenhower. Bibbit! You tell Mr. McMurphy I'm so crazy I voted for Eisenhower twice! And you tell Mr. Harding right back — he puts both hands on the table and leans down, his voice getting low — that I'm so crazy I plan to vote for Eisenhower again this November.
Then - as he was talking - a ...
Then - as he was talking - a set of tail-lights going past lit up McMurphy's face, and the windshield reflected an expression that was allowed only because he figured it'd be too dark for anybody in the car to see, dreadfully tired and strained and frantic, like there wasn't enough time left for something he had to do.
But if the strength ain't real...
But if the strength ain't real, I recall thinking the very last thing that day, before I finally passed out, then the weakness sure enough is. Weakness is true and real. I used to accuse the kid of faking his weakness. But faking proves the weakness is real. Or you wouldn't be so weak as to fake it. No, you can't ever fake being weak. You can only fake being strong. . .
Luckily, I remembered somethin...
Luckily, I remembered something Malcolm Cowley had taught us at Stanford - perhaps the most important lesson a writing class (not a writer, understand, but a class) can ever learn. 'Be gentle with one another's efforts,' he often admonished us. 'Be kind and considerate with your criticism. Always remember that it's just as hard to write a bad book as it is to write a good book.'
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