My method seems to change to everything, especially when you get older. You have more of a resonance to be able to grab to. When you're younger, you have these big boundaries because you don't know how to get you to where you are. When you get older, you have a few tricks that you can pull off.

I think that's what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.

It's interesting to help someone find their vocabulary. There would not have been a De Niro without a Scorsese.

Everybody acts like they're in a movie in most movies. That's why they stink.

You know how many movies it took Tom Cruise before he was making 5, 6 million dollars? It probably took a billion dollars in box office.

I think The Exorcist is the best American horror movie ever made. Friedkin was at the top of his game.

I would never do something like Speed 2 again. If I'd wanted to make those kind of movies I could have signed up for five of them while it was in the can. It wasn't worth it to me. That was just an innocuous, boring movie.

You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.

I made three movies in 1995 and I was unhappy with all of them: Sleepers, Incognito, and Speed 2.

I don't have a problem with fame. I got into this business intending to be very successful, but I wanted it to be at my price.

I never turned down a movie because they wouldn't give me enough money.

I really tried to make movies I wanted to see. I thought that if I was good enough, somebody would always need me.

I don't find movies interesting. I just want to do the movies that made me interested in getting into movies, and they're few and far between.

Violence doesn't seem to bother people anymore - they're inured to it. And I think it has a lot to do with the violence in movies and video games - it doesn't bother people as much. I'm not so sure it evokes a reaction anymore.

Whatever character you're playing you have to complete the entire interior infrastructure, whatever it is - but what gets divulged or what people completely understand depends on the script and what you decide to show. But you have to know it.

I think thats what I really liked about Narc: My character has a real operatic range in a way that older movies used to have.

Mostly I do films that mainstream Hollywood wouldn't touch.

I would never do something like Speed 2 again. If Id wanted to make those kind of movies I could have signed up for five of them while it was in the can. It wasnt worth it to me. That was just an innocuous, boring movie.