Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.

My father was totally Irish, and so I went to Ireland once. I found it to be very much like New York, for it was a beautiful country, and both the women and men were good-looking.

You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.

Perhaps people, and kids especially, are spoiled today, because all the kids today have cars, it seems. When I was young you were lucky to have a bike.

You dirty, double-crossing rat.

There's not much to say about acting but this. Never settle back on your heels. Never relax. If you relax, the audience relaxes. And always mean everything you say.

Learn your lines… plant your feet… look the other actor in the eye… say the words… mean them.

New Orleans is 5 feet below sea level, which means that holes dug in the ground immediately fill with water. Coffins were punctured and sunk with weights, which didn't stop them from floating up out of the cemeteries and down the streets of the French Quarter on stormy nights. The solution was to bury people above ground, in what are called vaults.

Though I soon became typecast in Hollywood as a gangster and hoodlum, I was originally a dancer, an Irish hoofer, trained in vaudeville tap dance. I always leapt at the opportunity to dance in films later on.

I`m sick of carrying guns and beating up women.

My childhood was surrounded by trouble, illness, and my dad's alcoholism, but as I said, we just didn't have the time to be impressed by all those misfortunes. I have an idea that the Irish possess a built-in don't-give-a-damn that helps them through all the stress.

There's not much to say about acting but this. Never settle back on your heels. Never relax. If you relax, the audience relaxes. And always mean everything you say.

I never said, 'MMMmmm, you dirty rat!

I never had the slightest difficulty with a fellow actor. Not until One, Two, Three. In that picture, Horst Buchholz tried all sorts of scene-stealing didoes. I came close to knocking him on his ass.

You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.

You don't psych yourself up for these things, you do them... I'm acting for the audience, not for myself, and I do it as directly as I can.

Absorption in things other than self is the secret of a happy life.

Learn your lines plant your feet look the other actor in the eye say the words mean them.