Well, you know, going into an...
Well, you know, going into any project, especially with a fan base as vocal and passionate as something as "Star Wars," you will have groups of people who will find issues with whatever it is you're doing. But our job was to tell the best story we could about characters that we loved, and we knew that we needed to go backwards to go forwards, and we needed to go back to a feeling and a place and a time.
And the parents who knew "Sta...
And the parents who knew "Star Wars" could take kids and feel like they've gone back to a place that is familiar and yet found brand-new characters that took them somewhere they'd never been. And it was important me that we embrace that feeling, and you can call it retro, but I think it's what "Star Wars" is.
Honestly I'm excited about th...
Honestly I'm excited about the possibilities of what comes next, and the funny thing is, that is sort of what "Star Wars" is kind of about. I mean, I remember being 10 years old and seeing that movie and leaving the theater and feeling like, oh, my God, anything is possible. And I feel like anything is possible right now. I don't know what's next, but I look forward to it.
I'm actually a huge fan of di...
I'm actually a huge fan of digital as well. I appreciate how that technology opens the doors for filmmakers who never had access to that level of quality before. However, I do think film itself sets the standard for quality. You can talk about range, light, sensitive, resolution -- there's something about film that is undeniably beautiful, undeniably organic and natural and real.
Well, when Kathy Kennedy, who...
Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
'Star Wars: Episode IV - A Ne...
'Star Wars: Episode IV - A New Hope' (1977) is probably the most influential film of my generation. That work was the personification of good and evil and the way it opened up the world to space adventure, the way westerns had to our parents' generations, it left an indelible imprint. So, in a way, everything that any of us does is somehow directly or indirectly affected by the experience of seeing those first three films.
I think that the reason you k...
I think that the reason you keep hearing that it's the golden age of TV is because original storytelling is happening all the time in that medium, and people are hungry for it. And I'm as guilty as anyone for being part of an industry that is capitalizing on existing stories, sequels, these things that we are seeing again and again and again.
There are always a bunch of i...
There are always a bunch of ideas floating around and I do the best that I can to try to not do them. The ideas don't go away and, over time, are finally like, "Okay, it's been around so long, I have to get this thing out," and it somehow ends up coming to some version of fruition.
Whatever is being investigate...
Whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It's not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it's a period piece. You need to consider what context that film, that story and those characters are being seen in.
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