Well, for the transition from rapper to actor, I was fortunate that director John Singleton pursued me for about two years to be in Boyz 'N the Hood. I really wasn't even thinking about acting at the time, since I was singularly focused on being the best rapper in the world. So, that was really a blessing, because I wasn't really taking him seriously.
I always tell people that if you gave me a pen and a piece of paper when I was a teenager and said, "Write out how you'd like your career to go," I would have probably short changed myself compared to what it's been for real. I'm just extremely excited about what I've accomplished.
The police don't look at you as long when they drive past. Sometimes they don't look at you at all. In South Central, you've got them looking and lurking. I think it's basic harassment. It's part of their tactics to have everybody nervous of them. In the valley, at least I don't feel it the same way.
We come from the days when rap used to agitate the mainstream. Now it's more buddy-buddy. That doesn't sit well with me. So what we need is [a bit more] street politics, bringing up issues, agitating you a little bit. And nothing can agitate you more now than a terrorist threat.
The way I grew up and the neighborhood I come from, when you know somebody's beating you and you still let it happen, then you're a victim. You're no longer a man when you know something is happening and you don't stand up. So that's just how we raised.
I was a very interested arts student, I was always into that part of school and when I got into high school I went into architectural drafting. It gave me an understanding of how to build things and it’s really helped me put things in perspective. With my music and my movies, to me it’s all art.
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