Reproduction is so primitive and fundamental a function of vital organisms that the mechanism by which it is assured is highly complex and not yet clearly understood. It is not necessarily connected with sex, nor is sex necessarily connected with reproduction.
Einstein is notmerely an artist in his moments of leisure and play, as a great statesman may play golf or a great soldier grow orchids. He retains the same attitude in the whole of his work. He traces science to its roots in emotion, which is exactly where art is also rooted.
It is curious how there seems to be an instinctive disgust in Man for his nearest ancestors and relations. If only Darwin could conscientiously have traced man back to the Elephant or the Lion or the Antelope, how much ridicule and prejudice would have been spared to the doctrine of Evolution.
There can be no sexual love without lust; but, on the other hand, until the currents of lust in the organism have been irradiatedas to affect other parts of the psychic organism--at the least the affections and the social feelings--it is not yet sexual love. Lust, the specific sexual impulse, is indeed the primary and essential element in this synthesis, for it alone is adequate to the end of reproduction, not only in animals but in men. But it is not until lust is expanded and irradiated that it develops into the exquisite and enthralling flower of love.
I regard sex as the central problem of life. And now that the problem of religion has practically been settled, and that the problem of labor has at least been placed on a practical foundation, the question of sex—with the racial questions that rest on it—stands before the coming generations as the chief problem for solution. Sex lies at the root of life, and we can never learn to reverence life until we know how to understand sex.
Even the most scientific investigator in science, the most thoroughgoing Positivist, cannot dispense with fiction; he must at least make use of categories, and they are already fictions, analogical fictions, or labels, which give us the same pleasure as children receive when they are told the "name" of a thing.
On the threshold of the moral world we meet the idea of Freedom, 'one of the weightiest concepts man has ever formed,' once a dogma, in the course of time a hypothesis, now in the eyes of many a fiction, yet we cannot do without it, even although we may be firmly convinced that our acts are determined by laws that cannot be broken.
Dancing and building are the two primary and essential arts. The art of dancing stands at the source of all the arts that expressthemselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite. Music, acting, poetry proceed in the one mighty stream; sculpture, painting, all the arts of design, in the other. There is no primary art outside these two arts, for their origin is far earlier than man himself; and dancing came first.
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