I love Ron Howard, he's a wonderful director, incredibly prepared. But I have to criticize my performance in that movie. It all took place in one day. My character was having a bad day, so she's having a bad day throughout the whole movie. But this was a comedy, and I think I was too serious, too dense. Yes, I think that describes my failure there.
I'm fascinated by the First World War because it was supposed to be the war to end all wars, and it was the biggest conflagration that this particular planet had seen. There was a lot of talk about utopia and how it was possible, and then, because of these events that for one reason or another couldn't be stopped, the idea of utopia went out the window.
So I'm always inspired by my fellow actors. And that's kind of a constant for me. I have huge respect for our profession and our craft. And I seek in my work to create connections, first for me with the character and then the character with the other actors, and then ultimately, all of us together connecting with the audience in a way that sometimes is subliminal, even.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
Robin [Williams] was a world treasure. As we mourn his tragic death, we must remember him for the great waves of laughter that he was able to illicit from us, how his humor and insights - though they came from a place of pain and uncertainty - connected us and reminded us of how flawed and fragile...how human we are. How we are capable of moments of inspired transcendence and others of unspeakable despair.
When you're on the set, and sometimes, because it's been so complex and the writers have been really writing, sometimes up until the last minute... And you kind of sit back; you separate yourself from your brain, and you say, let me see if you can do this. And that's the kind of challenge I like.
I love the chemistry that can be created onstage between the actors and the audience. It's molecular even, the energies that can go back and forth. I started in theater and when I first went into movies I felt that my energy was going to blow out the camera.
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