I spent a lot of time with a real detective, a lady detective inspector who was the only female detective inspector in the whole of East London. She and I hung out a lot. She showed me what she did and I spent time with her. So, [she was] a lot of the inspiration for the way I dressed and sometimes the dialogue in those interview scenes where we're cross examining and questioning the youths and trying to get a confession out of them.
The ratings thing is the real issue. It really hurts movies. For example, in Redbelt, I smoked. The whole plot of my character was based on the fact that I was a smoker. And then they discovered that just by having someone smoking in the movie, it immediately makes the rating an R. So they had to cut out every shot where I had a cigarette in my hand and it totally affected the performance. That was very frustrating to David Mamet as well. I can remember him saying, "It's a nightmare."
I had watched 'Alfie,' but I didn't consider it a prerequisite. Michael Caine was just extremely fabulous. He's one of the most professional actors I've ever worked with. I guess after a lifetime of doing it, you know what you're doing. He's incredibly uncomplaining, undemanding.
Good people can do terrible things, and that's what life is all about, the complexities and grey areas. And often characters aren't written that way in movies, especially characters for women. So you end up being either one thing or the other.
You do the one film that you think is terrible, but it's a big studio film and you hope you'll get another job because of it, because blah blah blah, whatever it is. You know that you hate it, you just couldn't care less if it got made because it's not something in a million years you'd go and see yourself. And it ends up being shite and you just knew it was shite to begin with, and it doesn't do you any favors at all if someone thought you were in another shite film. So I decided it doesn't get me anywhere being cynical. It's not that I want to be.
There were moments where I was being kicked in the stomach, and even though I had this brace on to protect me, I still had to prepare myself for it . You can't be relaxed when that's happening. You have to brace your muscles. I can remember thinking as it was about to happen "Wasn't that how Houdini died?" I think it was.
If there's any plan or scheme on my part, it's subconscious. Whatever I do tends to be very different from the thing I did last. You're terrified of boring either yourself or anyone else. It's always attractive if it feels like something that you haven't done before. I generally tend to be better, I think, when I'm terrified out of my wits.
You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly na?ve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.
The harder the circumstances under which you're making a movie, generally the better the friends you make. You're far away from home and so you're kind of lonely, and you end up all gravitating towards each other and the bar every night. It tends to be inversely proportionate to the comfort level on the movie, how close you become to everybody.
It's censorship, really. I don't see why it's not okay for somebody under the age of 17 watch someone smoking when they can watch someone have their brains blown out? My son and I were watching an ad on the television the other day. And it said, "Rated R." He said, "What does 'rated R' mean?" I said, "God, I don't know. You can't watch it unless you're over a certain age."
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