At some point we must draw a line across the ground of our home and our being, drive a spear into the land and say to the bulldozers, earthmovers, government and corporations, 'thus far and no further.' If we do not, we shall later feel, instead of pride, the regret of Thoreau, that good but overly-bookish man, who wrote, near the end of his life, 'If I repent of anything it is likely to be my good behaviour.
I suppose each of us has his own fantasy of how he wants to die. I would like to go out in a blaze of glory, myself, or maybe simply disappear someday, far out in the heart of the wilderness I love, all by myself, alone with the Universe and whatever God may happen to be looking on. Disappear - and never return. That's my fantasy.
Be a half-assed crusader, a part-time fanatic. Don't worry to much about the fate of the world. Saving the world is only a hobby. Get out there and enjoy the world, your girlfriend, your boyfriend, husbands wives; climb mountains, run rivers, get drunk, do whatever you want to do while you can, before it's too late.
The canyon country does not always inspire love. To many it appears barren, hostile, repellent - a fearsome mostly waterless land of rock and heat, sand dunes and quicksand, cactus, thornbrush, scorpion, rattlesnake, and agaraphobic distances. To those who see our land in that manner, the best reply is, yes, you are right, it is a dangerous and terrible place. Enter at your own risk. Carry water. Avoid the noonday sun. Try to ignore the vultures. Pray frequently.
To meet God or Medusa face to face, even if it means risking everything human in myself. I dream of a hard and brutal mysticism in which the naked self merges with the nonhuman world and yet somehow survives still intact individual, separate. Paradox and bedrock.
The majority of American writers today have chosen passive non-resistance to things as they are, producing sloughs of poetry about their personal angst and anomie, cascades of short stories and rivers of novels obsessed with the nuances of domestic relationships - suburban hanky-panky - chic boutique shopping mall literary soap opera. When they do speak out on matters of controversy they attack not the evils of our time but fellow writers who may insist on complaining.
We are befouling and destroying our own home, we are committing a slow but accelerating race suicide and life murder - planetary biocide. Now there is a mighty theme for a mighty book but a challenge to which no modern novelist or poet has yet responded. Where is our Melville, our Milton, our Thomas Mann when we need him most?
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