I was brought into the curiosity of it because with Sony Pictures Classics, which bought the movie, they look into what the feedback is and base that off of how they release it, and you end up hearing the feedback and getting that early talk. So the reviews early on that were "bad reviews," they were kind of reviewing another movie.
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
And it's not just black people. That's the other thing about this issue, it's conflated with just black and white and it's not that at all. It's diversity, it's something that looks more like the landscape of the country. And it's not about then we get the statues we deserve, it's not that. It's that everyone should be able to participate in this silly contest, which is how I feel about it.
We're not talking about you scored more points than me and I know that you won and I lost, those are clear results. This is about people's opinions and their subjective takes on things, people that sometimes haven't seen all of the movies they're voting on.
There are things that are happening way earlier than that when it comes to someone deciding whether they're going to spend x amount of millions of dollars on a movie. I want $100 million success. The moviegoer is the person I'm more interested in than the Academy.
There are things that are happening way earlier than [the Oscars] when it comes to someone deciding whether they're going to spend x amount of millions of dollars on a movie.I want $100 million success. The moviegoer is the person I'm more interested in than the Academy.
I'm trying to steal from everybody. So yeah, there's cats that I'm personally affiliated with - Carl Franklin, Paul Thomas Anderson - and others that I don't know personally but their work I'm a big admirer of, like Martin Scorsese. But I'm hoping to come up with a language that is mine, that's specific to my take on this material.
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
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