Human beings have the incredible capacity for denial. I think they do. And although it's really hard to believe, I have my doubts. But my feeling is that first they have to convince themselves. First they have to justify this stuff to themselves and if they can do that, even for just the moment that it's coming out their mouth, then they can kind of mouth it with kind of believable sincerity, even if some of us.
Maybe it's na?ve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.
Metal buildings are the dream that Modern Architects had at the beginning of this century. It has finally come true, but they themselves don't realize it. That's because it doesn't take an Architect to build a metal building. You just order them out of a catalog - comes with a bunch of guys who put it together in a couple of days, maybe a week. And there you go - you're all set to go into business - just slap a sign out front.
My favorite term for a new kind of performance is "security theater." In this genre, we watch as ritualized inspections and patdowns create the illusion of security. It's a form that has become common since 9/11, and even the government agencies that participate in this activity acknowledge,off the record, that it is indeed a species of theater.
I sense the world might be more dreamlike, metaphorical, and poetic than we currently believe--but just as irrational as sympathetic magic when looked at in a typically scientific way. I wouldn't be surprised if poetry--poetry in the broadest sense, in the sense of a world filled with metaphor, rhyme, and recurring patterns, shapes, and designs--is how the world works. The world isn't logical, it's a song.
Technology has altered the way music sounds, how it’s composed and how we experience it. It has also flooded the world with music. The world is awash with (mostly) recorded sounds. We used to have to pay for music or make it ourselves; playing, hearing and experiencing it was exceptional, a rare and special experience. Now hearing it is ubiquitous, and silence is the rarity that we pay for and savor.
There was an op-ed piece in The New York Times by an evolutionary biologist or somebody - which was a curious place for the opinion to come from - and he said that there's no such thing as a completely free, uncensored medium, that people censor themselves all the time, in deference to hurting other people's feelings, or offending other groups, or in their own, not to provoke a fight. And you do self-censor certain things, and it's not necessarily a bad thing. That's just the way human social interaction works.
I think that if they want people to listen to ten or twelve songs, they have to give the listener a reason to listen to ten or twelve songs or to buy ten or twelve and listen to the whole thing instead of just pulling one or two for their iPod or their computer.
Music is relegated to an underground, relatively obscure group of listeners. It's partly because of the nature of the medium. With a piece of visual art, you can look at something ugly, brutal and in your face, but it's kind of - there it is. It doesn't take you over in the same way that putting on the music at a certain volume does.
When it became easy enough to do dairy online, then I just thought, "Oh, I'll start doing this. I'll put the parts online that aren't going to get me in trouble. I'll save the rest for myself." It became also this kind of self-therapy. I could write about stuff that was bothering me, or personal stuff. And the very personal stuff I could edit out. But it was kind of the catharsis of getting it out and writing about it, that made me think, "Okay, I see why people do this, why they keep these diaries." So I thought, "Well, let's see what happens when I post some of it."
My opinion is that somebody certainly has the right to do cartoons that make fun of somebody else's religion. But to reprint them just to provoke a fight and just to provoke it like thumbing your nose at someone else and going, "What are you gonna do about it?"
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