When I'm watching somebody act, it's a behavior editorial function - I look at someone act, and I might say, 'I don't believe him when he says that.' I don't know why I don't believe him, probably because the people that I've met, they don't act like that when they say stuff like that and mean it.
The simple-minded always look for something - if it's not pornography, it's DVDs or the Internet or video games - but I don't think there's anything inherently evil about Facebook.
Sometimes people freak out when you shoot 40 takes of something. They start looking at you like, "What did I do wrong?", and its like "No. It's not wrong. It's just that we are going to try something different."
I think title sequences are an opportunity to sort of set the stage or to get people thinking in different terms than maybe whatever they understand the movie to be going in.
When you cast somebody you cast them not only for... I look for an inherent kind of quality. You are going to be shooting 14 hour days and you are going to be tired. You are going to not necessarily be able to conjure armor or a faГ§ade every single moment.
I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.
Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
You can do something that walks a line, and invariably, whatever that line is, it will be crossed by people who don't know any better and want to ape the success.
A movie is made for an audience and a film is made for both the audience and the filmmakers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think: Wow, this is gonna set the world on fire. These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
You canвЂ™t take everything on. ThatвЂ™s why when people ask how does this film fit into my oeuvre. I say 'I donвЂ™t know. I donвЂ™t think in those termsвЂ™. If I did, I might become incapacitated by fear . . . How do you eat a whale? One bite at a time. How do you shoot a 150-day movie? You shoot it one day at a time.
Свадьбы звезд шоу-бизнеса, которые прошли в строгой секретности....
Приветствую Вас, дорогой читатель! Вы когда-нибудь задавались вопросом: зачем уметь хорошо рисовать, если в наше время за огромные деньги продаются каляки-маляки (если уж простым языком говорить)? Лич...