Just look at the cinema itsel...
Just look at the cinema itself: It's comprised of lots of movies about graphic novels, and if you're not 20 years old and wearing a cape and a mask and white, you're out of business. Today's cinema is a proliferation of comedies, which are in some ways creating caricature images. They're one-dimensional.
We all know Reagan's legacy, ...
We all know Reagan's legacy, from the Iran-Contra affair to the funding of the Nicaraguan military in which over 200,000 people died. The groundwork for the move steadily to the right happened with the Reagan administration. People want to elevate him to some mythic level; they have their own reason for doing that.
Remember, we're talking [in T...
Remember, we're talking [in The Black Power Mixtape] about 1967, the year before [Martin Luther] King's assassination. We're talking about the emergence of black power, which is a discussion King mentioned in his last book, Where Do We Go from Here: Chaos or Community? We're talking about the meaning of black power and the possibility that it alienated our supporters, both white and black.
Democracy is about criticism....
Democracy is about criticism. I didn't elect Obama because he's a black; I voted for Obama because he was the right person at the time. Period. The exceptionalism of a black U.S. President is not important to me. It's what he does. And who he has at the table. And what he does to change the world - that's what's important.
President Obama is a man who ...
President Obama is a man who had certain advantages because of the civil rights movement. He had the opportunity to go to some of the best schools in this country - schools that train you how to run the political paradigm, not challenge it. The leaders of the Black Power Movement were challenging that paradigm.
Those titles, Executive Produ...
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
Some of the most amazing stor...
Some of the most amazing stories are happening on the global scene. My extraordinary producing partner, Joslyn Barnes, she's just virtually changed my life with the way she constructed this company and how we go about telling the stories we want to tell.
There are things that make me...
There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.
Hollywood is designed to chec...
Hollywood is designed to check the box office on Monday morning and see: "How'd we do? How much?" It's another facet of this whole culture of accumulation and consumption. Black people are caught up in it, white people are caught up in it, white actors, black actors, female actresses - everybody's caught up in it.
Since 1957, black people have...
Since 1957, black people have experienced double-digit unemployment - in good times and bad times. Look at the population of African Americans in prison. They represent more than half the population of prisoners in the country, 55 percent of those on death row
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