If you want to speak about different ethnicities and diversity, rap and hip-hop are all over the planet. Every country, from Turkey to Australia, now has tons of hip-hop artists. The music and artistry have moved way faster than the corporatization of the music. You do need organization and opportunity for these artists to express themselves, and I don't think it has to come from a corporate co-signing.
Americans are not sharp. You can be sharp in your own area, I guess, but in this world you gotta be conscious of everybody else in the world too. You just can't be drunken with constitution and hear, okay we're gonna do this and then you hear well, we're gonna go kill this guy 'cause he's a terrorist and you keep gettin' it.
I think the problem for the future generations is a lot of people ain't takin' the time to look for them and give them their voice, so therefore for their voice to be heard, they gotta bang more pots on the ceiling, so to speak; they gotta do crazy things just to get recognized. I just feel that whenever you don't give a generation some kind of voice, then expect side effects.
When we worked on Ice Cube's Amerikkka's Most Wanted album. Before we talked studios, beats, or lyrics, I said, "Two rules: Only say what you're able to vouch for. Number two, never repeat yourself twice, because we makin' an album that people will play over and over.
I don't think a lot of people have been privy to understanding that there's this talent in hip-hop all over the earth that's just as good. It's just that everything out of the U.S. proclaims to be the best, especially L.A. and New York, being that they're the nerve centers and media capitals of the most predominantly media-emitting country in the world.
Today, a young person that doesn't know themselves will totally be sold some other situation. Let's do your avatar. You know? And young people are going out, spending what little they have to try to buy themselves when they don't have themselves, or they feel like they don't have themselves. To me, that's like a damn pimp tragedy.
A visit to the hood through a record, or through a video, or through a film, is a lot safer than actually visiting the people in real life. It became a business model. It became a revenue engine that, you know, you can get to the hood without ever going there.
I always remain optimistic. There are three levels of music production: the majors, indies, and what I call "inties," music distributed via the Internet. The Internet is one area that I have used pretty effectively to break free of corporate control.
Bass! How low can you go?
Death row...what a brother know.
Once again, back is the incredible,
The rhyme animal, the uncannable "D!"
Public Enemy Number One.
Five-O said, "Freeze!" and I got numb.
Can I tell 'em that I really never had a gun?
But it's the wax that the Terminator X spun.
I would like to say is that to be truly American and represent American ideals you need to consider yourself a citizen of the world. American policy has gone contrary to that ideal. The Bush Administration is bent on making the world submit to "Americanism" instead of becoming a member of the world community. This orchestration comes from the very top of the Administration and has pushed America into a corner. So, rather than trying to humbly mix with the rest of the world, we are forcing ourselves upon it. We seem to create conflicts with everyone.
For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.
You can actually take your pain and processes it into some kind of form of art. So I mean, I've easily always been able to do that, but also I've always been able to give myself perspective - or, you know, older people always give you perspective.
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