I'm sure you find it fascinating. It's always interesting for everybody to look at people who've been pushed to the brink. You wonder how you would fare with that. Nobody's interested in somebody who doesn't ever really do anything. I don't have a choice in that. I will always go for those kinds of characters. Each one is a separate choice for me, but I think it's fairly natural to find yourself gravitating towards people who have done extraordinary things.
When I imagined my life, I always thought I'd be in my mid-30s before I felt capable of marrying. But I suddenly found that I'd met somebody and I said, "Screw it. I'm not gonna sit here saying, 'Oh no, I'm not ready,' and regret not having done this later on and the possibility of not having this person around." I thought, I'll jump into it and we'll figure it out as we go along.
Basically, it's somebody who got stuck having to interview me who really wants to be a novelist, so they're writing these novellas and I was like, "It's not true, that didn't happen, they just made all that up! Why don't they just go ahead and be a novelist instead of bothering with interviewing me?"
I ain't the first on the list that people are sending scripts to. I'm very lucky. I've managed to put myself in the position with some directors, yes, who will be calling me directly, and we're working on things and talking about things, but that's on a purely creative level. And then you go and have to deal with the financial level.
I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.
There are movies that require fantasy and slightly more fantastical acting. Lines that are good for certain movies, in real life circumstances, would be absolutely unbelievable things to really say, and you would look at these people like they're freaks for conversing that way. But somehow for certain styles of movies, it works, and it seems fine.
It helps so much being on location. It's like the difference between performing for the rectangle of the camera versus a world being created and then the camera finds things within that. There's a huge difference in that, because what it takes away is performance. You don't feel like performing. You're just kind of doing it. You're existing.
I don't like filmmakers to tell people how they should react to their movies. I absolutely have favorites, and I have others that I'm mortified by, but I keep that to myself. I think I've managed to find some very interesting things that I've been very satisfied with recently. I don't know if that's gonna keep going.
You have to make an effort to be in an unprotected environment because everyone thinks you're a completely incapable idiot who couldn't possibly brush his teeth without an assistant. You have to make an effort in order to be able to actually experience the country that you're in.
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