What got me excited to do Grima Wormtongue is when I was young I went through a period in boarding school were I was picked on alot. And there is something about Grima, he has been picked on when he was a kid, he (Grima) is so distrustful, he is so easily corrupted, He is so ugly, and he wants somebody, he wants to love somebody, and he can't, because nobody will have him.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.
What got me excited to do Grima Wormtongue is when I was young I went through a period in boarding school were I was picked on alot. And there is something about Grima, he has been picked on when he was a kid, he (Grima) is so distrustful, he is so easily corrupted, He is so ugly, and he wants somebody, he wants to love somebody, and he can't, because nobody will have him.
There is nothing wrong with horror films. Their existence has definitely had an impact on me. It is important to have scary demons in our world on film. We have them in the world. That is why we are afraid, it is nice to have a visual and to have a confrontation with it. And fear is something we need to exist.
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