I don't feel like it's pressu...
I don't feel like it's pressure. It's more of an obligation - not to entertain or be funny, but to have a certain levity. I mean, there's got to be a lightness in your leg. You have to be as light as you can be, and you don't have to be weighted down, stuck in your emotions and stuck in your body, stuck in your head. You just want to try and elevate something.
It's the most terrifying day ...
It's the most terrifying day of your life, the day the first one is born. Your life, as you know it, is gone. Never to return. But they learn how to walk, and they learn how to talk, and you want to be with them. And they turn out to be the most delightful people you'll ever meet in your life.
[My brother] lived in a dry g...
[My brother] lived in a dry gulch where the world of socks and shoes became extremely fascinating, and he felt that everyone needs a good pair of socks, and why not limit his gift giving to something that everybody needs? He thought that there was something humorous about it. So he gives socks.
When you did the job, you tho...
When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
The truth is, anybody that be...
The truth is, anybody that becomes famous is an ass for a year and a half. You've got to give them a year and a half, two years. They are getting so much smoke blown, and their whole world gets so turned upside down, their responses become distorted. I give everybody a year or two to pull it together because, when it first happens, I know how it is.
I knew that's where I was goi...
I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)
I will be in Orlando during t...
I will be in Orlando during the atheist convention to do my best to counter the assaults upon Christ of the atheists. I also plan on running a large newspaper ad in the Orlando Sentinel addressed to the atheists and warning the Orlando area of the atheists' vile plans for their children.
We're creating a TV show of S...
We're creating a TV show of Scrooge, starring Jamie Farr, with Buddy Hackett as Scrooge. We're shooting in this Victorian set for weeks, and Hackett is pissed all the time, angry that he's not the center of attention, and finally we get to the scene where we've gotta shoot him at the window, saying, "Go get my boots," or whatever. The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, "All right, Bud - just give it whatever you want." And Hackett goes off on a rant. Unbelievably obscene.
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