Hank, this is great." "Yes." He said it simply, openly. There was no flattered pleasure in his voice, and no modesty. This, she knew, was a tribute to her, the rarest one person could pay another: the tribute of feeling free to acknowledge one's own greatness, knowing that it is understood.
That love is reverence, and worship, and glory, and the upward glance. Not a bandage for dirty sores. But they don’t know it. Those who speak of love most promiscuously are the ones who’ve never felt it. They make some sort of feeble stew out of sympathy, compassion, contempt, and general indifference, and they call it love. Once you’ve felt what it means to love as you and I know it – the total passion for the total height – you’re incapable of anything less.
It's strange. There's your life. You begin it, feeling that it's something so precious and rare, so beautiful that it's like a sacred treasure. Now it's over, and it doesn't make any difference to anyone, and it isn't that they are indifferent, it's just that they don't know, they don't know what it means, that treasure of mine, and there's something about it that they should understand. I don't understand it myself, but there's something that should be understood by all of us. Only what is it? What?
When I listen to a symphony I love, I don't get from it what the composer got. His 'Yes' was different from mine. He could have no concern for mine and no exact conception of it. That answer is too personal to each man. But in giving himself what he wanted, he gave me a great experience.
Your eyes are as a flame, but our brothers have neither hope nor fire. Your mouth is cut of granite, but our brothers are soft and humble. Your head is high, but our brothers cringe. You walk, but our brothers crawl. We wish to be damned with you, rather than blessed with all our brothers. Do as you please with us, but do not send us away from you.
Peter Keating: "Do you always have to have a purpose? Do you always have to be so damn serious? Can't you ever do things without reason, just like everybody else? You're so serious, so old. Everything's important with you. Everything's great, significant in some way, every minute, even when you keep still. Can't you ever be comfortable-and unimportant?" | Howard Roark: "No."
Now take a human body. Why wouldn't you like to see a human body with a curling tail with a crest of ostrich feathers at the end? And with ears shaped like acanthus leaves? It would be ornamental, you know, instead of the stark, bare ugliness we have now. Well, why don't you like the idea? Because it would be useless and pointless. Because the beauty of the human body is that is hasn't a single muscle which doesn't serve its purpose; that there's not a line wasted; that every detail of it fits one idea, the idea of a man and the life of a man.
She fell asleep, lying there, her hand clasping his. Her last awareness, before she surrendered the responsibility of consciousness, was the sense of an enormous void, the void of a city and of a continent, where she would never be able to find the man whom she had no right to seek.
You'll come back, because yours is an error of knowledge, not a moral failure, not an act of surrender to evil, but only the last act of being victim to your own virtue. We'll wait for you and when you come back, you will have discovered that there need never be any conflict among your desires, nor so tragic a clash of values as the one you've borne so well.
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