I don't want to become more famous than what I am. I'm not interested in being in movies that are going to be shown all around the world and get a massive audience, so I'm interested in doing foreign movies as long as it stays an exceptional case and is exotic, but I don't want to go there [Hollywood].
Coco Chanel really wanted to have freedom of a man, and at first the only way she could find that freedom was through the clothes. They freed her movement; she got rid of the corset. This imposed her not as a decoration but as a real personality. She invented a new way of seductions through these clothes.
I think when you're an adult you start to like the very things that make you different. If you obsess about some defect, you make it obvious to everyone, and suddenly everyone is staring at just that defect. It's always like that. The more you hide something, the more it shows. But when you accept your defect, suddenly no one on earth sees it anymore.
There are moments when it's unbelievable how people who work on the hair or on the little bit of skin here, they have no other care or interest since this part of their job is the only thing that needs to look good. So you have to push everybody to the side so that you can have a connection with your actor and give some air to your actor.
It was new to play a woman who plays with her sincerity, and who is a seductress, a manipulator and a liar! I was able to compose a character as opposed to being very natural, so it was very interesting for me. It was great to realise that I could be this kind of real woman!
I like to think in camera, but at the last minute the most important thing is that there is something happening between the actors. But good actors can have a lot of scenes going around them but sometimes it sort of helps the performance because it takes their mind off of who they are supposed to be.
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