If you look at Indian society, it's a society made up of minorities. There's nobody who's not a minority, whether it's ethnicity, caste or religion. But the whole effort now is to confect a political constituency - an ethnic or a religious constituency that can coalesce into a political majority in order to deal with this model of representative democracy. That process has been a hundred years in the making in this part of the world.
It's odd how those who dismiss the peace movement as utopian, don't hesitate to proffer the most absurdly dreamy reasons for going to war: to stamp out terrorism, install democracy, eliminate fascism, and most entertainingly, to "rid the world of evil-doers.
Every strategy for real social change - land reform, education, public health, the equitable distribution of natural resources ... - has been cleverly, cunningly, and consistently scuttled and rendered ineffectual by those castes and that class of people which has a stranglehold on the political process.
Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told. Fiction and nonfiction are only different techniques of story telling. For reasons that I don't fully understand, fiction dances out of me, and nonfiction is wrenched out by the aching, broken world I wake up to every morning.
The genocide will not necessarily take the form of war, or death camps. Most likely it will take the form of ecocide, in which landscapes are devastated and the populations that live there slowly starve or turn upon each other savagely because there isn't enough food or water to go around.
The trouble is that once America goes off to war, it can't very well return without having fought one. If it doesn't find its enemy, for the sake of the enraged folks back home, it will have to manufacture one. Once war begins, it will develop a momentum, a logic and a justification of its own, and we'll lose sight of why it's being fought in the first place.
So here we have it. The equivocating distinction between civilisation and savagery, between the "massacre of innocent people" or, if you like, "a clash of civilisations" and "collateral damage". The sophistry and fastidious algebra of infinite justice.
Being with him made her feel as though her soul had escaped from the narrow confines of her island country into the vast, extravagant spaces of his. He made her feel as though the world belonged to them- as though it lay before them like an opened frog on a dissecting table, begging to be examined.
Now we're in a situation where democracy has been taken into the workshop and fixed, remodeled to be market-friendly. So now the United States is fighting wars to instal democracies. First it was topple them, now it's instal them, right? And this whole rise of corporate-funded NGOs in the modern world, this notion of CSR, corporate social responsibility - it's all part of a New Managed Democracy. In that sense, it's all part of the same machine.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
The time has come for everybody -capitalists, communists, socialists- to ask themselves what 'civilization' really means. If not, whether a country calls itself capitalist or communists, in the pursuit of 'progress' , it will visit genocide either on its own people or on another people whose country must be plundered for resources to feed the Progress industry.
After Iraq, there's been Libya, there's Syria, and the rhetoric of, you know, democracy versus radical Islam. When you look at the countries that were attacked, none of them were Wahhabi Islamic fundamentalist countries. Those ones are supported, financed by the U.S., so there is a real collusion between radical Islam and capitalism. What is going on is really a different kind of battle.
India has millions of internally displaced people. And now, they are putting their bodies on the line and fighting back. They are being killed and imprisoned in their thousands. Theirs is a battle of the imagination, a battle for the redefinition of the meaning of civilisation, of the meaning of happiness, of the meaning of fulfilment.
What is happening to our world is almost too colossal for human comprehension to contain...To contemplate its girth and its circumference, to attempt to define it, to try and fight it all at once, is impossible. The only way to combat it is by fighting specific wars in specific ways.
Советских актёров часто ставят в пример как образец духовной силы, национальной гордости и внутренней красоты. Они стали символами эпохи, носителями культуры и нравственности. Но, как известно, за кул...
Актеры — люди творческие, но кто бы мог подумать, что некоторые из них скрывают прекрасный голос. В эпоху раннего Голливуда актеров с музыкальными способностями было немало — это считалось скорее норм...
Неузнаваемая Ким Кардашьян в объективе фотографа Маркуса Клинко, 2009 год. Памела Андерсон в самой первой съёмке для журнала «Playboy», 1990. На фото голливудская актриса Dorothy Lamour и шимпанзе Джи...
Расскажем, как сложилась судьба актеров, которые начинали сниматься еще в детстве.
Остаться на вершине в Голливуде удаётся не каждому, особенно если путь начался в детстве. Одни актёры теряются из-за...
Два года назад отечественное телевидение столкнулось с беспрецедентной кадровой тектоникой — целая группа ярких и узнаваемых ведущих стремительно исчезла с экранов федеральных каналов. Эти лица долгие...
Кира Найтли на страницах журнала к выходу фильма «Пиджак», 2005. Следы динозавра, раскопанные в русле реки Палакси. Техас. США. 1952г. Самая большая женщина рядом с самым маленьким мужчиной, 1922 год....
