My mom, she was, she studied ...
My mom, she was, she studied chemistry. And later on she changed and majored, she changed later in her career, in her life and studied philosophy and then she did a perfect clash, connection between chemistry and philosophy and she became a witch.
I've been very lucky in that ...
I've been very lucky in that the studios really respect me and they give me all my creative freedom. But nevertheless, they are inputs, they have opinions. It's the same thing for me as if you're in a shower and you're coming up with a tune, with a melody, but there are 70 people trying to sing their own melody at the same time. So you have to focus and concentrate, and not lose the track of your melody.
A budget is not an issue. I m...
A budget is not an issue. I mean a budget is used if you need more weeks or more time or more elements, but the creative process is exactly the same. In some instances you become more of a boss when you are doing a small movie. So that is not so relevant. The only thing is that the bigger a movie is in terms of budget, is that there are more people giving opinions.
The most important thematics ...
The most important thematics in humanity I think that are completely universal and completely relatable from one person to the other. As long as, one more time going to back to the thematic, as long as you're truthful to that thematic, you can trust that that is going to transcend.
I have my set rigged with the...
I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
I'm very aware that the futur...
I'm very aware that the future of any film is not necessarily the theatrical experience, it's the home video experience because that is the one that is going to be presented for years to come. So you want to make sure that you push your movie, but you're talking about a movie that you finished months ago. And your head is trying to move into new grounds and you're still pushing for the other one. That's the tough element of it.
It's not really science-fictio...
It's not really science-fiction, ... It's the world 30 years from now, [a time] in which for 18 years no human child has been born, for unknown reasons. Civilizations are falling apart. England is the last remaining civilization as we know it, because it's an island that's insulated itself from Europe, which is in civil wars and complete pandemonium. So the story takes place in that context. It's a story about hope and faith.
It's not really science-fictio...
It's not really science-fiction, ... It's the world 30 years from now, [a time] in which for 18 years no human child has been born, for unknown reasons. Civilizations are falling apart. England is the last remaining civilization as we know it, because it's an island that's insulated itself from Europe, which is in civil wars and complete pandemonium. So the story takes place in that context. It's a story about hope and faith.
You can write a whole fiction,...
You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.
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