I found I wasn't asking good enough questions because I assumed I knew something. I would box them into a corner with a badly formed question, and they didn't know how to get out of it. Now, I let them take me through it step by step, and I listen.
When I am at a dinner table, I love to ask everybody, 'How long do you think our species might last?' I've read that the average age of a species, of any species, is about two million years. Is it possible we can have an average life span as a species? And do you picture us two million years more or a million and a half years, or 5,000?
Musicals are hard for me because I got thrown out of the glee club in high school, because I couldn't sing in tune at the time. I can sing in tune now, but I have to work really hard on it to make sure that I don't exercise one of my great talents, which is the ability to sing in three keys at the same time.
A really great actor, in a lucky performance, can transform himself or herself. I've seen actors do that. But often it's a mechanical transformation, which isn't as interesting, and you've got to be careful how you go about something like that, I think.
The one thing I think I've noticed about shows that are supposed to be funny on television is that they've sort of become routinized, so there's an awful lot of mannerisms and joke lines that are sort of there to trigger laughter, rather than give actors a chance to play a moment.
What is beauty, anyway? It's more than something pleasant looking. If it doesn't stop us in our tracks and make us unable to move for a moment, unable to put into words what's closing off the breath in our throats, then maybe it's pretty, but it probably isn't beauty.
Everybody's on their toes and focused on what we're about to do, and then there's this moment where you relax because you see that everybody is there to do the best that they can. Everyone opens up to one another right away. That's a terrific thing. I love that about actors. They know how personal this job is.
What I can't completely understand is most other people's fascination with what the famous among us do with their lips and the rest of their bodies. Why do ordinary people become the target of this curiosity simply by virtue of the fact that other people recognize their names and faces but know nothing else about them? Why do we care what they think, what they wear, what they eat?
The difference between listening and pretending to listen, I discovered, is enormous. One is fluid, the other is rigid. One is alive, the other is stuffed. Eventually, I found a radical way of thinking about listening. Real listening is a willingness to let the other person change you. When I’m willing to let them change me, something happens between us that’s more interesting than a pair of dueling monologues.
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