Zaha Hadid quotes
The current state of architecture and design requires extensive collaboration and an investigative attitude and we continue to research and develop new technologies.
The current state of architecture and design requires extensive collaboration and an investigative attitude and we continue to research and develop new technologies.
My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
I used to not like being called a 'woman architect.' I'm an architect, not just a woman architect. The guys used to tap me on the head and say 'you're OK for a girl.' But I see an incredible amount of need from other women for reassurance that it can be done, so I don't mind anymore.
All the privileged can travel, see different worlds, not everyone can. I think it is important for people to have an interesting locale nearby.
People often ask me if I consider myself to be an architect, fashion designer, or artist. I'm an architect. The paintings I've done are very important to me, but they were part of a process of thinking and developing.
You really have to have a goal. The goal posts might shift, but you should have a goal. Know what it is you want to find out.
I don't use the computer. I do sketches, very quickly, often more than 100 on the same formal research.
I don't like the masculine style, jeans. I like issey miyake... and black dresses.
Malevitch discovered abstraction as an experimental principle that can propel creative work to previously unheard levels of invention; this abstract work allowed much greater levels of creativity.
Architecture is really about well-being. I think that people want to feel good in a space... On the one hand it's about shelter, but it's also about pleasure. The intention is to really carve out of a city civic spaces and the more it is accessible to a much larger mass in public and it's about people enjoying that space. That makes life that much better. If you think about housing, education, whether schools and hospitals, these are all very interesting projects because in the way you interpret this special experience.
In terms of form, all the projects interest me equally, although there are obviously large differences according to the scale and process of each project.
Indeed, our designs become more ambitious as we see the new possibilities created by the technology of other industries.
The beauty of the landscape - where sand, water, reeds, birds, buildings, and people all somehow flowed together - has never left me.
The conservative values that are emerging, it may not effect architecture immediately but it will effect society and that's what worries me.
The commission process in America and England is different. In America, they do it through an interview process, and it's really based on whether they like you or not. I mean, it's nothing to do with whether you do the best scheme or the worst scheme.
I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
I can't focus when there's too many things around. Whenever I used to go to the office, I used to always say, 'Tidy up.'
I miss aspects of being in the Arab world - the language - and there is a tranquility in these cities with great rivers. Whether it's Cairo or Baghdad, you sit there and you think, 'This river has flown here for thousands of years.' There are magical moments in these places.
I have always appreciated designers who dare to reinterpret fabrics and proportions, so I follow the Japanese and Belgian designers. The pieces are so animated. When they lie still, they are one thing, but once you stand them up or wear them, they become something else.