As a critic, I try very hard to say exactly what I think. And in a medium in which we are well-known for the binary thumbs up and thumbs down, I try to be able to give the mixed review. But most pictures fall into that middle ground, so I wrestle over which way my thumb is going to turn. It's not flip.

Two things are not debatable: eroticism, and comedy. If you don't think it's sexy, or funny, there's no way I can change your mind.

The result is a picture that represents so much of what I want and rarely get from a movie - a couple of hours filled with characters who are as exciting as the people I know in real life.

But you know, really, if you think about it Roger and I and all critics really have one absolute essential part of our credentials and that is that you believe that that is actually what we think.

For my 50th birthday, I got ahold of a new print of 'Saturday Night Fever.' I see it much more as a tough coming-of-age movie than as a disco story.

In fact, Cannonball Run II. I used to pick that as the worst movie ever made.

I would rather turn my head and cough than see any part of 'Patch Adams' again. The title of this movie should have been 'Punch Adams!'

Going to a movie is a two-hour experience; at $7.50 for a ticket, you are valuing your time at far less than the minimum wage. If you don't understand the film, don't leave. If you understand it all too well and hate it, get out of your seat and walk up the aisle. You will feel empowered.

They know they got the TV ad, they know they got the name recognition, they know that they can do a tie in with McDonald's or some fast food outlet and the money is just gonna flow in.

After 27 years, I walked out of my first one a few months ago. Black Sheep with Chris Farley.

The only actor who I think probably might have possibly taken a swing at me if he could have would be Burt Reynolds. He used to call Roger and me the Bruise Brothers, out of Chicago.

The only actor who I think probably might have possibly taken a swing at me if he could have would be Burt Reynolds. He used to call Roger and me the Bruise Brothers, out of Chicago.

A film that aims low should not be praised for hitting that target.

I would rather turn my head and cough than see any part of 'Patch Adams' again.

Is this film more interesting than a documentary of the same actors having lunch?

I'm not surprised that Spielberg was able to capture the heroism of Schindler; so many of his movies are about the better part of mankind.

Two things are not debatable: eroticism, and comedy. If you don't think it's sexy, or funny, there's no way I can change your mind.

I already shot my wad on the Protestants!