Людибиографии, истории, факты, фотографии

Имя:

Казимир Малевич

Name:

Kazimir Malevich

День рождения: 23.02.1879 года
Возраст: 56 лет
Место рождения: Киев, Россия
Дата смерти: 15.05.1935 года
Место смерти: Санкт-Петербург, Россия

Quotes of Kazimir Malevich

Выдающийся российский и советский художник-авангардист польского происхождения, педагог, теоретик искусства

  • ⋅Painters were also attorneys, happy storytellers of anecdote, psychologists, botanists, zoologists, archaeologists, engineers, but there were no creative painters. /Kazimir Malevich
  • ⋅Painting is the aesthetic side of the object but it has never been original, has never been its own goal. /Kazimir Malevich
  • ⋅A painted surface is a real, living form. /Kazimir Malevich
  • ⋅The square is not a subconscious form. It is the creation of intuitive reason. The face of the new art. The square is a living, regal infant. The first step of pure creation in art. /Kazimir Malevich
  • ⋅To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from the environment in which it is called forth. /Kazimir Malevich
  • ⋅Painters were also attorneys, happy storytellers of anecdote, psychologists, botanists, zoologists, archaeologists, engineers, but there were no creative painters. /Kazimir Malevich
  • ⋅Painting is the aesthetic side of the object but it has never been original, has never been its own goal. /Kazimir Malevich
  • ⋅The square = feeling, the white field = the void beyond this feeling. /Kazimir Malevich
  • ⋅In art there is a need for truth, not sincerity. /Kazimir Malevich
  • ⋅Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a white background! /Kazimir Malevich
  • ⋅Shouldn't it give us pause that the oldest works of art are as impressive today in their beauty and spontaneity as they were many thousands of years ago? /Kazimir Malevich
  • ⋅I have established the semaphore of Suprematism. I have beaten the lining of the colored sky, torn it away and in the sack that formed itself, I have put color and knotted it. Swim! The free white sea, infinity, lies before you. /Kazimir Malevich
  • ⋅Only when the habit of one's consciousness to see in paintings bits of nature, madonnas and shameless nudes... has disappeared, shall we see a pure painting composition. /Kazimir Malevich
  • ⋅When, in 1913, in a desperate attempt to rid art of the ballast of objectivity, I took refuge in the form of the square... the critics... sighed, "All that we loved has been lost. We are in a desert"... But the desert is filled with the spirit of non-objective feeling... /Kazimir Malevich
  • ⋅The appearances of natural objects are in themselves meaningless; the essential thing is feeling - in itself and completely independent of the context in which it has been evoked. /Kazimir Malevich
  • ⋅Every real form is a world. And any plastic surface is more alive than a face from which stares a pair of eyes and a smile. /Kazimir Malevich
  • ⋅I recommend that you should work actively... and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even Chardin, where he is an artist. Study very closely their dabbing manner of execution and try to copy a small piece of canvas, just one square inch. /Kazimir Malevich
  • ⋅There is movement and movement. There are movements of small tension and movements of great tension and there is also a movement which our eyes cannot catch although it can be felt. In art this state is called dynamic movement. /Kazimir Malevich
  • ⋅I transformed myself in the zero of form and emerged from nothing to creation, that is, to Suprematism, to the new realism in painting - to non-objective creation. /Kazimir Malevich
  • ⋅Only dull and impotent artists screen their work with sincerity. In art there is need for truth, not sincerity. /Kazimir Malevich




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